As I was going through the pre-release promotions, one of the most
important things I was trying to do was set up talks at bookstores and
libraries. I had had such good luck in my early publishing days when I
offered to do signings in Nebraska that I figured it would be like this almost
every time; at least when I had a big story. Nebraska bookstores opened
their doors wide to me, and I had lines going out the door of people wanting
the book. It turns out this would not be representative of all of them.
First, my premier book was about something
that deeply affected Nebraskans, and I had a personal, family connection to the
story. (It was about Caril Fugate and the Starkweather murders.)
Also, people who had known me years before came out to see me because
they hadn't seen me in more than 10 years. It made everything a much
bigger deal. But now they're used to me there; and people in other parts
of the country don't know me at all. I thought that having a person who had
a direct connection to the Capones would help, but for some reason it hasn't.
In fact, San Francisco bookstores, which always have loads of guest
authors, haven't even responded to me. Part of that is because of their
prejudice against independent authors, (even though they pretend to be all
about independent artists,) but they're also afraid that they're not going to
get enough customers to justify the event. Even in Chicago they turned me
down, and apparently for the same reasons.
Some of the Nebraska bookstores are having
me back out of loyalty, and because the Harts will be coming with me.
First on the list are A Novel Idea and the Bookworm, two places that have
been very good to me over the years, and for whom I will be eternally grateful.
I also had an event at the Burbank Central Library, apparently the last
one they will be having as they recently were placed under the arm of the Los
Angeles Public Library system, which doesn't care for independent authors.
I shouldn't be too disappointed, though.
As I implied, after my initial success, the signings I've had since have
been mostly empty rooms, or occasionally just a gathering of a few friends.
Ultimately, promotions online and social media are more effective.
However, I did stumble upon a better way to have events; and this one
came from one of the Hart family members.
I've known for a while that it's all about
going after the niches, but I hadn't really pursued this logic when it came to
giving talks. And there's no better niche than specific departments
within universities. When I was invited to speak at the University of
Utah, Corey Hart and I gave a presentation to the Italian-American studies
department. This meant that not only would the university tell people who
were already interested in the topic, and not only was it a good place to have
an event at which we could invite people from all over town, but there would be
students who either had to go, or got extra credit for going. It was
almost literally a captive audience. Once there, I was able to win them
over with the story. There were about 50 people at the event, and almost
every one of them ordered a book. Many of them have also linked up with
me on social media.
So I've come to appreciate universities
for non-fiction books. There are a few other concepts I might try, like
organizations that study the specific subject. I'll be talking to Civil
War roundtables about The American Game, and local "Sons of Italy"
organizations about Two Gun Hart.
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